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New Photos Added: Farrah Fawcett, The Beatles in A HARD DAY’S NIGHT, Howard Hawks, LAND OF THE PHARAOHS, THE THING, Joan Collins, Kate Smith, etc.

May 31st, 2008 by Scott Marks

Celebrity Endorsements:
Andy Devine for Scotch Cellophane Tape
Farrah Fawcett for Wella Balsam Shampoo
Jerry Lewis for A-1 Sprints Continental Slacks
Kate Smith spreading her seed for Simoniz Non-Scuff Floor Wax
Olan Soule for Ovaltine

The Beatles in Richard Lester’s A HARD DAY’S NIGHT (1964) - New Gallery with 22 Photos Added

Howard Hawks - New Gallery with 5 Photos Added

Otto Preminger’s IN HARM’S WAY (1965) - New Gallery with 32 Photos Added

John Woo’s THE KILLER (1989) - New Gallery with 10 Spanish Lobby Cards Added

Howard Hawk’s LAND OF THE PHARAOHS (1955) - New Gallery with 8 Photos Added

Allan Arkush & Joe Dante’s ROCK ‘N’ ROLL HIGH SCHOOL (1979) - 2 New Photos Added

Christian Nyby’s THE THING FROM ANOTHER WORLD (1953) - New Gallery with 6 Photos Added

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A Memorial Day Movie: Otto Preminger’s IN HARM’S WAY (1965)

May 26th, 2008 by Scott Marks

In honor of Memorial Day I spent the morning scanning my vast collection of stills from Otto Preminger’s austere war epic In Harm’s Way (1965).

Not only is it Otto’s personal best, it ranks in my top twenty all-time favorites. The fluid shot of a bruised and demoralized Rockwell P. Torry descending the gangplank while behind him sparks fly as seamen repair his equally battle-worn cruiser was burned is a perfect marriage of meaning and movement. As if Loyal Griggs’ stunning camera work isn’t enough there’s the added thrill when screenwriter Wendell Mayes smuggles the film’s title into a line of dialog. Rock turns to Paul and with a voice burdened by despair says, “A fast ship moving in harm’s way. A lousy situation, Commander Eddington.” I live for moments like this.

You also get to enjoy a Dana Andrews cameo (Otto took pity on Laura’s fallen star) and Kirk Douglas’ sublime slapdown of Patrick O’Neal in the latrine.

And don’t forget to stick around for Saul Bass’ astounding closing credit sequence. Though set on Pearl Harbor day, Bass consciously plays upon 1965 America’s fear of nuclear annihilation by adding a mushroom cloud to his punctuational epilogue.

One day I’ll pull out my copy and write at length about the film and all it’s cinematic glory. Until then, enjoy the pictures and the trailer.

Photos here.

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